Lesotho ACE MTB – Puts it into perspective

Originally posted by Dig Deep Coaching

There are many great charities doing a fantastic job at enriching the lives of children and adults all over Africa, by providing them with bikes for school or work.

But have you ever considered the prospects for those children who catch the ‘Cycling Bug’ and discover that they have an exceptional talent on their bikes?

The Lesotho ACE MTB Race Team is positioning itself to fill this void and give deserving young riders an opportunity to shine on the world stage.  We are launching Africa’s first ever black UCI MTB Team and we are desperately seeking support from anyone who can get a “foot-in-the-door” to cycling industry suppliers, global businesses or sympathetic companies who may be interested in supporting our team.

In Lesotho, we discover many potential cycling sensations, but in a country ranked a lowly 162nd in UN Development Indexes and where the government has other priorities than investing in sport, it has been very difficult to provide these cyclists with the opportunity that they yearn for.

The Lesotho ACE (Academy of Cycling Excellence) MTB Race Team is a mouthful, but encapsulates what we are trying to achieve as a team.  The Race Team is an important facet, providing those who have already proved their potential, an opportunity to race in some of the biggest races on the African continent, including UCI World Cup and UCI World Marathon Championships.

However the team members will also act as role models, committed to grass-roots development initiatives to get children inspired in the sport.  We really believe (as did our dearly departed Tata Mandela) that sport has the ability to break down the barriers of poverty and race, and can also give children hope, focus and fulfilment.

With the help of Dig Deep Coaching sessions and The Sufferfest videos, we were able to prepare a team for the 2013 World MTB Championships in South Africa, where Lesotho made the continent proud by being the only black African nation represented.  The event was an eye-opener and we realised that the only way we can improve is through regular international competition, both at home and away.

As we stand at the moment – January 2014, we are still in need of a Title sponsor for the team and pretty much all the team equipment as well.  We must be the best-value UCI MTB Team with a modest budget of just £20,000 (€24,000).  As a Title sponsor of a bone fide UCI MTB Team, we can promise great international news interest and exposure.

New Team Bikes would be a dream but our most pressing need is for bike parts that need regular replacement because of wear and tear – drivetrain and tyres.  Next in line would be racing wheelsets, suspension forks, reliable brakes, helmets, shoes and clothing.  GPS cycling systems would also be a great help to prescribing and measuring training – better still Power Meters will enable our coaching team at Dig Deep to evaluate our training and progress much more closely.

We cannot promise that our team will become world-beaters, but we will give it our best shot!  We are confident we can get riders into the 2014 Commonwealth Games and the next target will be Rio 2016 Qualification.  Along our journey, we will endeavour to make all our sponsors and supporters proud and to continually applaud their contribution and highlight their products through our active social media channels and upcoming website.

More images can be found here –  https://vimeo.com/83564524

Lekwere-kwere means you are ignorant

By Lineo Segoete

I find it funny that migrants who have settled in a place longer than others have the audacity to reject and humiliate newcomers. Indeed the world has grown to become an unsavoury and forsaken place where one must always look over one’s shoulder in the quest for survival and security. We look toward strangers with paranoia and aggression and resort to name-calling, forgetting all about brotherhood. We forget that we are all travellers and at some point or another we will be that new guy in a place, in the same vulnerable spot we once put someone else in.

I was cast off as a youth, due to this I found solace within the minorities, be it the group of bmx riders in college, the boisterous Indian girl in University, the introverted and brainy Muslim girl from Tanzania in primary school to the cheeky Finnish photographer who rekindled my love for the place my mother was born (Morija), presently. These characters granted me the appreciation for the wholeness inter-connectedness of life because as others were busy spotting and picking at what set them apart, I identified it as uniqueness. More importantly, I noted the things that bring us together.

There’s a word/label that has become so ingrained within the context of our language that we tend to overlook its implications: This word “Lekoerekoere/Lekwerekere” is derived from the sound interpretation of dialects that originate outside our Bantu and Nguni origins and could mean barbarian in its most exaggerated translation. For many people the use of this word is such a non-issue that it has been adopted as a legitimate term to refer to anyone else of African roots (except maybe American and European Africans), especially the darker their skin tone.

I personally revere a heavily melanised skin tone by virtue of taking pride in my identity, more with the help of popular models made famous by looking unlike their fair-skinned counterparts and what is commonly referred to as yellow-bones (light-skinned individuals of African descent) within their own ethnic group. Unfortunately, thanks to our petty prejudices and even jealousies this word is used to classify our brethren as though they are an exclusive species, to the extent of making them feel inferior and unwelcome.

The absurdity of this label lies in its basis; if someone you look similar to is better qualified than you, looks more exotic than you, has better luck with the opposite sex or has been able to make the most out of limited resources compared to you, which you find unfair and uncomfortable, it is YOUR problem, not theirs. We are all (and I mean world-wide) migrants by virtue of being human, we travel from place to place in search of “greener pastures” and better living conditions and the establishment of borders and the likes has no bearing on this fact regardless.

I’ll admit that before I was enlightened about xenophobia and relieved of my ignorance, I too was prone to referring to people as Makoerekoere because to me it meant the same thing as calling the Chinese “Machaena” or the Zulus “Mazulu” and I realise many other people are still as innocent about it. Still, if we sit back and ignore the implications of its use we perpetuate a form of discrimination worse than racism because it means estranging our own kin.

The next time you visit or move to a new place and expect to be received with warmth and open arms think about being at the receiving end of the names you call new-comers in your native area. At times nicknames can be coined as a form of expressing welcome, which is fine, what’s problematic is when you or those around you deliberately create labels meant to make the next  person feel they are an outcast. Just a thought!

Hope in Koalabata

By Lineo Segoete

The word merry in “Merry Christmas” has been perverted to mean excessive lewd and riotous behaviour (never mind the toll it has on the wallet). Truth is regardless of our varied religious orientations what puts the merry in Christmas is the opportunity to be selfless and express love unconditionally. For Thato Child and Youth Care Centre, an orphanage based in Koalabata on the outskirts of Maseru, it is a time of beckoning.

Thato Child and Youth Care Centre was one of a group of orphanages to get merry at the Maseru Club grounds on December 12 as Standard Lesotho Bank invited them to receive gifts and supplies in the spirit of the season.

On behalf of the Centre, Mr Tšeliso Hlalele said they were prompted to open the centre in 2001 by the maxim “charity begins at home”. They started with 10 children of kin because they were touched by the conditions those children were living under after their parents died.

In 2005 the centre was registered, but the road ahead was bleak and peppered with conflict. What took off as a positive development with donors taking an interest in the centre’s work- building premises and developing infrastructure- deteriorated into five of the ten founding members falling off which escalated into a court dispute that chased away the funders.

In addition to struggling with getting enough food, clothing and tuition money to sustain the kids, the centre remains stagnated by the ensuing court case which also forced a change of location. Fortunately, Mr Retselisitso Moleka also a founding member contributed his land in Koalabata where they make do with very little. Their challenges nevertheless do not deter them from pushing on to source new funders and business partnerships so that they become self-sustainable and grow.

Currently Thato Child and Youth Care Centre is home to 220 kids ranging from 18 months old to 16 years old. The programs designed to engage them in and rehabilitate them as well as the love of their care-givers (who also function as role models) helps them recover from the adverse hardships they faces prior to becoming part if the centre.

Treated to jumping castles, music, trampolines, snacks and KFC, the kids had unrestricted fun, their contentment reminding to us to appreciate the priceless gift that is life. Although they had banners and other branding there, Standard Lesotho Bank had not made a big media fuss about the event, a good move considering corporates tend to turn Corporate Social Responsibility into marketing campaigns thereby losing sight of the importance of giving for the sake of giving not recognition and praise.

“Simply give others a bit of yourself; a thoughtful act, a helpful idea, a word of appreciation, a lift over a rough spot, a sense of understanding, a timely suggestion. You take something out of your mind, garnished in kindness out of your heart and put it into the other person’s mind and heart.” -Charles H Burr

Colours and Motion

Art workshop with Maya Freelon Asante

On the 19th of December, 2013, Maya Freelon Asante – award winning artist and daughter of jazz musician Nnenna Freelon – held a one-of-a-kind art workshop in Morija, Lesotho. The workshop took place at Linotšing art studio, adjacent to Maeder House – one of the oldest recorded buildings in Lesotho – and involved 35 local youth between the ages of 4 -25.

Throughout the afternoon, young people were given the chance to discover and create with a range of materials. In the space of a few hours, Linotšing was transformed into a bustle of activity as the children discovered the myriad of exciting creations that could be made by combining paper, water and multi-coloured tissue paper. Finally, working together under Maya’s guidance, the children helped to glue and stitch together a quilt of tissue paper, which will be used by Maya and Nnenna in their multi-discipline theater project – Clothesline Muse – set to premiere in the US in April, 2014.

At the end of the workshop, as the children contemplated the final creation, Maya said to them: “with your hands, hearts and your energy, you have made art that is going to help your community.”

The workshop coincided with a fundraising concert titled A night with the King. It was held to benefit the renovation of Morija Scott Hospital, where Nnenna, invited by King Letsie III, was the headline performer. Auctioned at the concert were two collages, created by Maya and the group in Morija the day before, with proceeds also going to Scott Hospital.

More information about Maya Freelon Asante:

Maya Freelon Asante is an award‐winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper work was also praised by the International Review of African American Art as a “vibrant, beating assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know“.

Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston.

More info: www.mayafreelon.comtheclotheslinemuse.com

Mini gallery:

Follow this link to view more photos on Faceboook.

Maya’s work in Madagascar:

Place of the Cannibals – Malimong

By Lineo Segoete

Lesotho, a place that resembles the feeling of being wrapped in the warm arms and voluptuous bosom of a favourite grandmother, a feeling transfixed in her enigmatic mountains and meandering valleys basking under clean clear skies, is home to many unknown and remarkable gems of nature. Among them are the Kome Caves in Teyateyaneng Berea.

Ha Kome is a tranquil village in an area known as Malimong (Place of Cannibals), she is dappled in jade and potent greens in the summer and blushing red earth basking in a marvellous gorge in the Phuthiatsana valley below magnificent peaks who are protectors of centuries of history including evidence to the first occupants of the acreage now known as Lesotho; the great San.

One version of the origins of Basotho inhabitants at the Kome Caves suggests that Kome’s grandfather, father of Teleka of the Basia clan, was designated the site by King Moshoeshoe I because the King felt that his talents in magic and mastery of the herbs could be a powerful weapon against the cannibals who were a major nuisance to Basotho especially in the area of Malimong.

Ha Kome is a national heritage site famous, among her many attractions, for her immaculate cave houses tucked away under a great hill below the Ha Kome Tourist Centre. It provides a unique opportunity to learn and revel in the true Basotho way of life as it is and as it once was.

Recently the first Annual Kome Beer Festival was hosted there with aims to entice the curiosity of visitors and offer them an escape from the sporadic realities, noises and fast-pace of the concrete jungle.

Although meddled in controversy in terms of petty crimes that took place as well as unsatisfactory delivery with regard to the entertainment and services offered, the event came as a challenge to the public and curators of national heritage sites to take notice and proactively invest energy into educating Basotho and the world about our natural treasures.

Lesotho is an arena hosting suave tangoes between apexes and precipices; her inconspicuousness is nowhere near fully understood nor discovered. Thankfully urbanisation is also gaining grounds therefore making the best sites- such as Ha Kome and others- accessible for peace of mind and freeing of the senses. Vigorous investment into the preservation and promotion of these wonders adds to our national pride and marketing our country as the ideal tourist destination for fun-lovers and adventure and history enthusiasts. It’s worth a thought and a try.